In painting, you take two paintings and put them side by side: BANG, you have a diptych. A photograph and a drawing will both appear on a digital page as jpegs, but it still seems a little tricky to get people to look at them in relation to each other. ![]() In the way that their eyeballs see them and their earballs hear them. I don’t know enough about flash coding, but I worry that these walls are all already there in the very way that people read different media. So, is flash like that damn wall they keep threatening to build in Texas, or built once in Germany and before that in China (and as a bird, or a bowerbird knows….walls never really work if you can fly over them, or go around)? ![]() In other words, it was a day like any other, but when I read Social Powerpoint, I considered how many little media format borders I’d just crossed and how many times I cross those borders on any given day in any given post and how much I take that freedom for granted. files off cds and layering tracks and looping them and turning them into mpegs. I’d spent the morning manipulating a scanned image of Ditr Roth, by taking this video clip from Vimeo and downloading the source quicktime (which Vimeo allows you to do) importing that into i-movie and exporting thirteen still images as jpegs to sequence into an animated gif. ![]() Ben’s post last week on the darker side of flash shone like a light bulb.
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